
Artemisia Gentileschi
Italian · 1593-1656
Her hand. Her eye. Her collection.
The women who made the work, the women who made it possible, the women in the pictures and the women who were the reason. Researched and cited like every record here.
Today 10 of the 123 artists in this archive are women. That is the history of who was collected and recorded, and it is what this section is here to change: the researchers now add women artists first.
The women who made the work: painters, sculptors, photographers, workshop heads, and the artists the market forgot.

Italian · 1593-1656

Flemish (Southern Netherlands, Antwerp) · c. 1580s - after 1621

American · 1895-1965

French · 1755-1842

Dutch · 1609-1660

1815-1879

German · 1867-1945

American · 1844-1926

1532-1625

American · 1797-1883

Julia Margaret Cameron registered 508 photographs and never attached a specimen to any of them.
13 min read

Artemisia Gentileschi signed nineteen of about forty-eight surviving paintings by one count, and an earlier catalogue counts...
12 min read

Truth sold her own cartes de visite, registered the copyright in her own name and left the photographer unnamed.
10 min read
The collectors, dealers, patrons and widows without whom a work or a career would not exist.

Three Vermeers in this archive were painted in the years Vermeer worked in Maria Thins's household.
12 min read

Christie's states that no document records the order for the Rothschild Faberge egg.
12 min read

Vera Salomons inherited 57 of her father's Breguet watches. Her mother got the other seventy and they were auctioned.
10 min read
The woman in the picture: who she was, why she was painted, and what became of her.

Four famous photographs of women in this archive. Only one of the four is named on the picture, by herself, and she is the only...
10 min read

Schiele's Portrait of Wally settled for 19 million dollars in 2010. The Wally-Neuzil-Society counts about six surviving documents...
11 min read

The Peacock Room is built around a portrait of Christine Spartali that her own father declined to buy.
10 min read
The woman behind a work or a whole period of it: the muse, the model, the partner, the motive.

Breguet No. 160 is called the Marie-Antoinette. Nothing from the queen's lifetime connects her to it: the firm's records call it...
10 min read

The model for Degas's Little Dancer is documented in a payroll and two lines of his handwriting.
10 min read
One artwork and its story every Tuesday, with the picture: who owned it, what it made, and what closes soon in the exhibition calendar. No promotion, and nothing we cannot cite.
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