IconothecaThe Provenance Record
MenuClose
ArtworksOne cited page per work of art: what it is, who owned it, what it made
PaintingsSculptureAntiquitiesWorks on paperMetalworkCeramics and glassFurniture and textilesArms, clocks and instruments
ArtistsThe makers, with what survives, what is disputed and what it costs
Working today 12Historical 111The Women Behind the Art
StolenLooted, stolen, confiscated: what happened next, and what is still missingMuseumsWhere the works are, with hours and admission we confirmedExhibitionsWhat is on now and what opens next, worldwideThe StudyHow provenance, attribution and the market actually work
AboutMethodologyGlossaryContactThe Letter
MARCO (Museo de Arte Contemporaneo de Monterrey)

The venue: MARCO (Museo de Arte Contemporaneo de Monterrey)

Photograph by JavierDo, CC BY-SA 3.0

Constelaciones y derivas: arte de America Latina desde la Coleccion FEMSA

MARCO (Museo de Arte Contemporaneo de Monterrey) · Monterrey, Mexico · 20 Mar to 30 Aug 2026

ClosedConfirmed · check before you travelFrom the museum's own page

This exhibition has closed

It closed on 30 August 2026. The page stays because an exhibition history is evidence: where a work was shown, and when, is part of its provenance and this archive cites it.

On now at MARCO (Museo de Arte Contemporaneo de Monterrey): Gabriel de la Mora: La Petite Mort, Charles & Ray Eames: La inusual belleza de las cosas comunes, Autorretrato no autorizado (Flavio Garciandia).

Visiting MARCO (Museo de Arte Contemporaneo de Monterrey)

Latin American art from the FEMSA collection, grouped by theme rather than chronology across five axes: territories, colonial structures, identities, alchemy and abstraction. Curated by Paulina Bravo, Beto Diaz, Eugenia Braniff and Adriana Melchor.

Images

MARCO (Museo de Arte Contemporaneo de Monterrey)Shown: MARCO (Museo de Arte Contemporaneo de Monterrey) - not the exhibition
No verified photograph of this show exists yet. This is the venue where it is held.
First recorded Last confirmed The source we used

The Iconotheca Letter

One artwork and its story every Tuesday, with the picture: who owned it, what it made, and what closes soon in the exhibition calendar. No promotion, and nothing we cannot cite.

We send one email to confirm the address and keep nothing else. Every letter carries a one-click unsubscribe. How we handle your data.