# A return is a new arrangement, not a conclusion

> Four contested antiquities, four different things a return turned out to be: a renaming, a rotating loan, a forfeiture nobody enforced and a broken statue made whole.
> The Study - 2026-09-27
> Canonical HTML: https://iconotheca.com/study/a-return-is-a-new-arrangement-not-a-conclusion/

## Key points

- Two different American museums bought two looted objects from the same small Sicilian site, and both went back to the same town museum in Aidone: the Metropolitan's silver in 2010, the Getty's statue in 2011.
- The silver's return did not stop it travelling. The 2006 agreement provided for a loan rotation at roughly four-year intervals between Aidone and New York, so the provenance line keeps adding events after the restitution.
- The statue came back under a different name. Aphrodite was an attribution proposed by the curator who recommended the purchase, and when Sicily took the object back it dropped the name, because the name was always a claim rather than a fact.
- The Getty bronze shows a return that is legally complete and practically nothing. The statue is Italian state property as a matter of Italian law, sits in the Getty's lawful possession as a matter of fact, and no court in California has ordered anything.
- Turkey proved its claim to the Weary Herakles with a shape rather than a document. Three plaster casts were made and one of them fitted, which is the only kind of evidence available when no paperwork exists.

## Two American museums, one Sicilian town



## The statue came back with a different name



## The silver went back and kept travelling



## A forfeiture that is complete in one country and nothing in the other



## Turkey's evidence was a shape, not a document



## Four returns, four different things happening



## Why the provenance line does not stop at the restitution



## Why this archive is free to read



Restitution is the part of this field that gets reported as a verdict, and in none of these four cases was it one. A negotiated agreement moved a statue and renamed it. A settlement moved a hoard and then kept lending it back. A forfeiture confirmed through every level of one country's courts has moved a bronze precisely nowhere. A plaster cast that fitted did more than fifteen years of litigation achieved. What a reader deserves is not the word but the arrangement underneath it: who holds title, where the thing is standing this month, what expires and what is still open. We would rather print four different answers than one tidy one, because the tidy one is not true of any of them.

## Questions

**Where are the Morgantina goddess and the Morgantina silver now?**

Both are in the Museo Archeologico Regionale di Aidone in Sicily, near the ancient site they came from. The silver returned from the Metropolitan Museum of Art in 2010 and the statue returned from the J. Paul Getty Museum in 2011, though the silver has since travelled back to New York on a loan rotation reported at roughly four-year intervals.

**Why is the Getty's Aphrodite no longer called Aphrodite?**

Because the name was an attribution rather than a finding. It was proposed by Marion True, the curator who recommended the 1988 purchase, and it held for twenty-two years. Most specialists now reject it, with Persephone and Demeter both argued for, and on the statue's return Sicilian officials dropped the name and called it the goddess of Morgantina.

**Has the Getty returned the Statue of a Victorious Youth to Italy?**

No. Italian courts ordered the bronze forfeited in 2010 and confirmed that order in 2018, and the Court of Cassation rejected the museum's final appeal, so the statue is Italian state property as a matter of Italian law. It remains in the Getty's lawful physical possession in California, where no court has ordered anything.

**How was the Weary Herakles proved to be one statue in two halves?**

With plaster casts. No document existed to show when the statue broke, so three separate attempts were made to test whether the upper half in Boston and the lower half in Antalya belonged together, and one of the casts fitted. The upper half was returned in 2011.

**Does a restitution end an object's provenance record?**

No. A return transfers title and it is one event among others. The Morgantina silver has travelled between Sicily and New York since its 2010 return, the Getty bronze generated a European Court application in 2024, and a chain that ends at the word returned leaves out everything that followed.

## Sources

- [1] Trafficking Culture, University of Glasgow, case study on the Morgantina cult statue of a goddess, on the 1979 clandestine excavation, the Canavesi sale and the 1988 Getty purchase. <https://traffickingculture.org/encyclopedia/case-studies/1059/>
- [2] Jason Felch, 'Chase Over: Aphrodite Crosses Final Finish Line', Chasing Aphrodite, 18 May 2011, on the statue's arrival in Aidone. <https://chasingaphrodite.com/2011/05/18/chase-over-aphrodite-crosses-final-finish-line/>
- [3] Jason Felch, 'Chasing Persephone?', Chasing Aphrodite, 28 May 2011, on the contested identification and the naming of the statue after its return. <https://chasingaphrodite.com/2011/05/28/chasing-persephone/>
- [4] Parco archeologico di Morgantina e della Villa Romana del Casale, official page for the Museo Archeologico di Aidone, the museum that now holds both objects. <https://parchiarcheologici.regione.sicilia.it/morgantina-villa-romana-casale/en/siti-archeologici/museo-archeologico-di-aidone/>
- [5] Suzie Thomas, 'Morgantina Silver', Trafficking Culture encyclopaedia, on the Hecht purchases of 1981 and 1982 and the 2006 agreement. <https://traffickingculture.org/encyclopedia/case-studies/morgantina-silver/>
- [6] Finestre sull'Arte, 'The Morgantina silverware returns to Sicily after four years on display at the Archaeological Museum of Aidone', on the loan rotation that followed the restitution. <https://www.finestresullarte.info/en/news/the-morgantina-silverware-returns-to-sicily-after-four-years-on-display-at-the-archaeological-museum-of-aidone>
- [7] Archaeological Institute of America, 'Spinning a Tale', interview with Malcolm Bell III on recognising the silver and on his 1993 request to examine it. <https://archive.archaeology.org/online/interviews/bell.html>
- [8] Art-Law Centre, University of Geneva, ArThemis case note on Victorious Youth, Italy v J. Paul Getty Museum, with the dated sequence of the Italian proceedings. <https://plone.unige.ch/art-adr/cases-affaires/victorious-youth-2013-italy-v-j-paul-getty-museum>
- [9] Center for Art Law, 'Case Review: Getty v. Italy (2024)', on the European Court of Human Rights application and the current legal position. <https://itsartlaw.org/art-law/case-review-getty-v-italy-2024/>
- [10] Suzie Thomas, 'Weary Herakles', Trafficking Culture encyclopaedia, on the 1981 acquisition, the Levy and White partnership and the plaster casts. <https://traffickingculture.org/encyclopedia/case-studies/weary-herakles/>
- [11] BBC News, 'Weary Herakles bust to be returned by US to Turkey', 2011, on the settlement and the return of the upper half. <https://www.bbc.co.uk/news/entertainment-arts-14246476>
